Exhibition design for the "Concrete Matters" exhibition, featuring objects from Patricia Phelps de Cisneros' collection of Brazilian neo-concretism, displayed at Moderna before the collection was donated to MoMA. The scenography operates on two scales - from a distance, the exhibition walls are perceived as large sculptural forms engaging in a dialogue with the artworks, but as one approaches, the focus shifts to the art pieces, with the scenography receding into the background.

Photo: Åsa Lundén / Moderna Museet